10 Day Challenge

I’ve been neglecting my blog for months, and not in the ordinary simply not having anything to share way. I have so much I want to share with you! Time has been the factor.

On the way back from Gleann Abhann coronation this last weekend, the thought to renew writing about my projects hit me. For a few moments, I was passionate about it. I have a ton of information just waiting to be posted and talked about. New sketches. Ancient Russian embroidery designs. Tutorials. All sorts of stuff!

In that passionate moment, I decided to do a 100 day blog challenge. About a moment later, I realized that once again I was attempting to eat the elephant in one swallow as opposed to one bite at a time. Instead of 100 days, I’ll start with 10.

For the next 10 days, I will post something I have not posted or shared before. I’m going to try and keep the focus on medieval Russian embroidery. I’ve been so engrossed in my classwork for months that I had not realized how little information there is about Russian embroidery written in English. If I have to single-handedly change that, I will!!!

Happy art-making!
Esperanza de Navarra

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My First Video Tutorial!!

I wanted to show a friend a way to sew pearls on the edge of her silk veil, and figured that the easiest way was to make a video.  I’ve never done it before because I felt that my voice sounds like that of a two year old!  But it came out pretty well.

Here it is:

 

 

My Russian Embroidery So Far . . .

I’ve been a student at Ubrus (http://ubrus.ru/) a Russian school of ecclesiastic and gold embroidery since the beginning of October.  It seems like much longer. I have learned so much!!  It has been since my early days at university since I have studied so hard or worked so much to learn something.  As much as I complain about the work being tedious and difficult, I am exhilarated to learn.

In the next few months, I will be able to teach some of what I have learned.  I can not copy the schools curricula or lessons, since that would be a breach of trust as well as infringing on the ownership of their material, but I can teach it in my own way and share the wonderful world of Russian embroidery.

What I have done so far:

Our first few lessons had to do with stitching gold cord onto fabric.  I learned to make my own cord. My Russian online translator translated  the name of this cord as “waste of time.” It’s one of many possible translations for a word that does not translate (sewing terms do not translate!), but it is the one that has stuck at this house.  “Mom’s making some more waste of time,” the kids say exasperatedly.

My first work. It seems simple, but the new concepts and the new way of stitching was the main focus of this lesson.
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It is not only stitching that we learn. One teacher focuses on stitching, while the other works with us on our art skills.  Until we can see the harmony of good art, our embroidery will always lack something.  Art is my weak point in all of my endeavors.  In high school, I was asked by the art club not to help them paint the school windows for holidays.  My work was so bad that it took them more effort to correct it than to do it themselves from the get go.

But I do try, and I am willing to learn. Our first few lessons incorporated doodling.  Looks random, but it is meticulously planned out in hopes that it will spark creativity and encourage artistic thinking.

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Besides, it’s fun!

As much as I would love to sum up nearly 3 months worth of work in one post, I’ll post more later.

Until then, happy art-making!
Esperanza de Navarra

Being a Student

On top of everything else I have going on in my life, I decided to go back to school.  laugh Crazy, I know.

Here’s the twist. In typical Esperanza fashion, I did not choose a school in America, or even one that teaches in English.  Instead, I found a school in Saint Petersburg Russian that teaches ecclesiastical embroidery using methods that date back 1,000 years.

I’m in my 6th week of classes. These are 6 Russian weeks, which seem to last anywhere from 4 to 15 days.  So far, I love it!  The work is challenging, especially since I do not read or speak Russian, at least not yet.  I’m using the Rosetta Stone software to learn Russian, but I just started.

Even if I were fluent in Russian, sewing terms do not translate!  For example, the name of the twisted gold cord we use for the first few classes translates literally into “waste of time.”

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My first application of the first “waste of time” I ever made.  (I did get better after this 😉 )

So far, my favorite assignment has been a 3 dimensional flower.

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I told you that I got better!

As you can see, between the week one assignment (making and attaching the “waste of time”) and the week 3 assignment (the 3D flower) there was a heck of a-lot of learning.

Setting aside the excitement of learning new things, what excites me the most is being able to share this experience with my fellow English speakers. As far as I can tell, I’m the first non-Russian (or non-Ukrainian, non-Slovakian, etc) to be in this school.  Thankfully there is another student in my class of 14 students who lives in American, although she is Russian born.

I feel honored to be a student. They only open up their online course roughly once a year and each class has around 12 students.  To be part of this . . . I have no words to describe how blown away I am.

As I muddle along in my learning, I’ll keep you posted!

Esperanza de Navarra

Gulf Wars Champion

When I last wrote, I was gearing up for Gleann Abhann’s Kingdom A&S and finishing up my Skjoldehamn tunic to enter.

As much as I hate procrastination, it seems to love me greatly.  And there is something about not sleeping for an entire week while finishing up a project that shoots the body full of adrenaline.

My project got finished and I was chosen as one of three people to represent our kingdom at Gulf Wars!!

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My Linen Version of the Skjoldehamn Tunic

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My Display

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My Tunic & Display

 

 

 

Skjoldehamn Find Project: Man or Woman???

When we left off, Dr. Gutrom Gjessing of the Tromsø museum had gotten the body in the mail (seriously! you can’t make this stuff up). He then shipped the body to the Anatomical Institute in Oslo for analysis.

Let’s step back for a moment to the original finding of the body.

When a farmer was cutting peat and he accidentally cut off a body’s foot, the body of the Skjoldehamn bog was discovered. By all indications, the body was originally buried where it was found. Meaning that its original resting place was the bog.

In the literature of the Middle Ages, bog burials were associated with criminals and Pagan burials (Holck 110). The truth is that we have no way of knowing why this person was buried in this bog, but we do know that much care was given to the burial of this person. Criminal, Pagan sacrifice, or a love one lost in an attack along the way, this person was treated very respectfully by whomever did the burying.

The body was well bundled in a wool blanket. Under the body was a layer of raw birch rods about 50 cm long and 4-5 cm thick (like a raft of limbs). Between the body and the limbs was a fur reindeer pelt with the fur side up. The blanket was tied on with thin leather straps from the ankle to knee and, above that, a narrow cloth band wrapped the body in the blanket. Over all of that was another layer of bark (Gjessing 28).

The body laid slanting toward the north on its left side. Its knees were slightly drawn up and its right arm was stretched down towards the knees. The farmer who wrote the description believed it was a murder rather than an execution. There was a 3 pronged hole in the skull, and brain matter and blood could be seen through the hole.

The body was still dressed. The person wore a hood, an over-tunic, an under-tunic, a woven belt, pants, 2 sets of ankle wraps, shoes and a blanket.

Back to the 1930’s. Winter passed, as winter does.

In the summer of 1937, Gutorm Gjessing traveled with wife Gertrude so to Skjoldehamn to inspect the place where the body was found. The peat bog where it was buried was an active peat site. Farmers did not stop digging up peat logs simply because a dead guy was found in it. When Gutorm and Gertrude arrived, the entire area of grave had been dug away. Although bog-walls were left neaby, the actual grave spot was gone and possibly burned during the cold winter. Gjessing and his assistants collected parts of the bog that were close to the original grave, but there was nothing left of the original site (Gjessing 29).

Gutorm did his best, but without samples of the actual site, all he had to work with was the body and what the body was found with. He analyzed the clothing: a woolen tunic, a woolen under-tunic, a pair of close fitting wool pants, woolen leg wraps, leather leg ties, a woolen hood and a pair of leather shoes. Gertrude, his wife, helped by sewing mock-ups to use as bases for the textile pieces. When you look at pictures of the Skjoldehamn textiles, the lighter brown fabric is the 1930’s mock-up fabric that Gertrude used.

In 1938, Gutorm published a long article on the Skjoldehamn clothing in Viking, one of Norway’s archaeological journals. “Skjoldehamndrakten, en Senmiddelaldersk Nordnorsk Mannsdrakt” translates into “Skjoldehamn Outfit, a Late Medieval Northern Norwegian Male Costume. Although he did a good job describing it, remeber that he was not a textile archaeologist.

Why would this make a difference? Think of someone you know who can not sew and knows little about fabric. Now imagine them trying to describe how your prom dress was constructed. They are not going to know the terms or techniques. Gutorm was mainly interested in social-archaeology and anthropology. He even left archaeology at one point to study social-anthropology, but that is another story.

Maybe because the outfit was, at the time, not considered Viking-age, which even then was all of the rage in Norway, or maybe the outfit was simply shelved in the museum and then forgotten about, but I can’t find much mention of it again until 1974.

Aagot Noss talks about the Skjoldehamn outfit in his article “Draktfunn Og Drakttradisjon I Det Vestnordiske Området Frå Vikingtid Til Høgmellomalderen” (Clothing Findings And Costume Tradition In The West Nordic region From Viking-age To the High Middle Ages.) in 1974’s Viking magazine. Of course he uses the information from Gjessing’s 1938 article and did not publish any new information.

Not until 1988 do I find evidence that the original find is actually taken out and re-examined. Published in 1988’s Viking magazine, Per Holck wrote “Myrfunnet Fra Skjoldehamn- Mannlig Same Eller Norrøn Kvinne?” (Skjoldehamn Bog Discovery – Sami Male or Norse Female?). Holck was one of the original “Bones,” aka Temperance “Bones” Brennan. He was one of the first experts in the field of forensic anthropology. He is also a widely known police expert witness in forensic science, so much so that he is a lecturer for the FBI in that field.

Holck began as a Norwegian medical doctor, who was a GP (general practitioner) beginning in the 1960’s, but his love of archaeology dates back to when he was in high school and took part in Viking-age excavations in Oslo. He never truly gave up his interest and, even in the beginning of his medical career, would often worked in excavations studying the bones he found. That takes us back to 1988 when Holck takes the Skjoldehamn bones out of storage in the Anatomical Institute in Oslo and reexamines them.

In 1936, when the bones were originally sent to the Anatomical Institute in Oslo, a Professor Schreiners made a fairly thorough inventory of the remains. Most of it was bits and pieces mostly de-calcified and deformed and nothing significant. Other than listing in detail what type of bones he found, Professor Schreiners did not show much interest in examining the bones further. He believed that little information could be gathered from what remained of the Skjoldehamn body.

When Holck reexamines the bones in 1988, he finds that not much has changed. Holck feels that the acids in the Skjoldehamn bog most likely shrunk the bones from their original size. He even describes the skull cap as a wrinkled hat!

Taking into account the shrinkage, he felt that the Skjoldehamn person was of small build and not a large individual. Like “Bones,” he used the attachment points of muscles, ligaments, and tendons to figure out what body type the person would have had.

Not enough of the leg bones remain to determine height, but based on where the muscles attach to the bones, the person was not a large hulk of a figure, probably well toned but not bulky. Remember, of the bones that remained, nothing remained that could point to the sex of this person. There was nearly nothing of the pelvis left.

We can not definitively tell the sex, age or height of the Skjoldehamn person based off of what remains. Holck, using mainly the size of the bones (which had been shrunk) and the size of the attachment points (which the shrinkage may have distorted), theorized that the Skjoldehamn person was either a Norse female or a Sami male. (Holck 113).

Holck, as brilliant as he is, is just guessing. It is an educated guess, no doubt, but still a guess. Remember how many factors we are dealing with to make this guess:

  • only fragments of bones remain
  • these bones are over 1,000 years old
  • the acids and chemicals in the bog have shrunk it
  • the decay from shipping the bones without treating them (from Skjoldehamn to Tromsø museum) rendered some bones to dust
  • no sex-determining bones are left
  • no fragments large enough to determine height
  • not enough left or in good enough shape to determine an age

Even Holck does not seem solid about his guess and admits that there are simply too many variables to know for certain based off of the bones alone.

At this time, our DNA testing was nearly non-existent. Even contemporary crimes were not being solved by DNA evidence.

More next time!

Esperanza de Navarra

Gjessing, Gutorm. “Skjoldehamndrakten, en Senmiddelaldersk Nordnorsk Mannsdrakt.” Viking, Tidsskrift for Norrøn Arkeologi. 2 (1938) pp.27-81.

Holck, Per. “Myrfunnet Fra Skjoldehamn- Mannlig Same Eller Norrøn Kvinne?” Viking: Tidsskrift for Norrøn Arkeologi 51 (1988): 109-16.

Noss, Aagot. Draktfunn og drakttradisjon i det vestnordiske området frå vikingtid til høgmellomalderen. Viking Ridsskrift for norrøn arkeolgi. 38 (1974) pp.39-65.

Are Pokemon Swarming Your SCA Fighter Practices????

My fellow SCA’dains have been finding many an inquisitive Pokemon trainer at practices and other SCA events. I started thinking. Why not take advantage of this increase in exposure? What can we do to show them who we are and that we would love for them to play with us when not catching Pokemon?

These wonderings, along with my love of mash-ups led me to create an SCA flyer that will attract the attention of anyone playing Pokemon Go!  It’s the standard SCA flyer wording with a twist. Plus it’s made in a format to be folded into a pocket booklet (which was a long way for a pun: Pokemon = pocket monster and thus needed a pocket booklet :).

Esperanza de Navarra Pokemon GO SCA Flyer

If you’ve read my blog for any length of time, you know I’ve been dying to share this with the world at large.  If I’m having fun with something, I always hope that others will too.  The flyer takes up one complete side, but that leaves the other side for information of your local group.  Even if you don’t add anything about your group, the flyer will point anyone to the main SCA page.

Please print it out as is.  I’ve sought permission from all of the artists to use their work, and nothing disrespects an artist more than using their creation without giving them credit.

You can download it as a pdf as well:

Esperanza de Navarra Pokemon GO SCA Flyer